Boston Globe op-ed suggests restaurant waitstaff ‘tamper’ with Republicans’ food | TheBlaze

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The Boston Globe is under fire after publishing an opinion piece suggesting that restaurant waitstaff tamper with Republicans’ – particularly President Trump staffers’ – food.

Source: Boston Globe op-ed suggests restaurant waitstaff ‘tamper’ with Republicans’ food – TheBlaze

Bastard.

I’m sorry, not sorry, for the language. It is, however, both accurate and warranted.

I also apologize for posting a second political post in one day, during a time when I said I’d do my best to avoid such posts, but the opinion piece to which the Blaze article refers is completely over the top! In fact, I’m so angry I can hardly think straight, much less write coherently.

First, read the linked article, if you haven’t already, for the details. Then here are my thoughts:

First off, this individual (who I will not dignify by naming) is absolute and complete scum of the earth. The fact that he would write such a piece for publication is more than ample evidence of that. And the Boston Globe, despite its efforts to weasel out of the situation, is complicit, for its lack of “editorial oversight” in the first place. What, in God’s name, where they thinking, to allow that to appear in print?

Quite aside from the ethical, health-related, and just plain disgusting-ness elements of this reprehensible screed, how could anyone, on any side of the political aisle, possibly think that tampering with food as an act of political terrorism is in any way acceptable, or in any way beneficial to their or anyone’s cause – or, for that matter, to our culture, society, and even economy?

While everyone knows that there are sometimes questionable practices in restaurants, and sometimes questionable food makes it out to the table, the entire restaurant culture of this (or any) country is founded on the assumption that such incidents are rare, and usually limited to “greasy spoon” types of establishments.

If people are going to have to start thinking – even when they go out to a nice dinner at a nice restaurant – “Well, gee, what if my waiter overhears a comment I make to a table companion, or doesn’t like my choice of hat, and decides I’m of a political persuasion he or she doesn’t like, so s/he decides to spit (or worse) on my food, as a result?” What’s that going to do to people’s willingness to go out to dinner?

The level and variety of stupidities embodied in the described opinion piece are so many and so epic that it just beggars description. AND – this is the crowning irony – this is from someone who considers conservatives to be haters. Let that sink in for a minute. This guy doesn’t like the President, so he considers that it’s perfectly okay to p___ in the food of those who do, and in fact stated that people who do so would “be serving America” (though he later, and completely unconvincingly, walked that back).

But that’s okay. Being on the other side of the political aisle is not.

Trump Derangement Syndrome is real. And I am coming increasingly – if reluctantly – to agree with the assertion that today’s “liberalism” (which is a far cry from classical liberalism) is a flat-out, full-blown mental illness.

As I said:

Bastard.

Sick, disgusting, brain-damaged bastard.

But I still wouldn’t p____ in his food, because I have standards.

Even for scum like him.

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Glories of the West – the Pre-Rafaelites: “Gather Ye Rosebuds While Ye May” (Waterhouse)

Image may contain: 2 people, outdoor

This lovely painting fortuitously came across my newsfeed this morning, posted by a friend of mine, Paul Edward Lafferty Smallwood, who posted it and commented,

“‘Gather Ye Rosebuds While Ye May,’ 1909, John William Waterhouse, English. John William Waterhouse (1849 – 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood’s style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.”

The reference is to a poem by Robert Herrick (1591-1674), entitled “To the Virgins, to Make Much of TIme”:

Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.

The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.

 

QOTD: Courtney Lawes on acceptance

“And by the way If you’re going to say you’re accepting of everyone then be accepting of everyone, not just the people you agree with.”

— (rugby player) Courtney Lawes

Source: Lawes defends Vunipola freedom-of-speech | RugbyPass

Full quote:

“I don’t have a faith like yourself my brother so I don’t share the same views in this matter but I do believe you should be able to voice your own opinions and beliefs as you see fit. 

“To everyone getting worked up about these post I ask you if you don’t believe in the same things as them then what do these statements matter to you? Can we not disagree with someone without calling them a bigot or a homophobe or every other name under the sun?

And by the way If you’re going to say you’re accepting of everyone then be accepting of everyone, not just the people you agree with.”

This is in reference to a specific incident, but it certainly has much wider application! The irony is that it is – as is too-often the case, these days – the supposedly tolerant “liberals” and Leftists that are up-in-arms about supposedly anti-LGBT (actually merely family-friendly, and supportive of traditional mores) comments on social media by a few members of the rugby community.

I have said much the same on a number of occasions and in a number of fora: if you are going to position and present yourself as being in favor of “diversity,” “tolerance,” and “inclusion,” it is a sad irony when you refuse to afford others the right to their own opinions. Yet that is the modus operandi of much of the modern Left.

Those who make no claim to be tolerant of what they see as sins and vices – especially when they are promoted as being worthy of acceptance and even praise – at least have the virtues of consistency, frankness, intellectual honesty, and the courage of their convictions. Those who claim to be tolerant while, in fact, being anything but, have no such authenticity.

Old-school, classical liberals, of the “I may not agree with what you say, but I’ll defend to the death your right to say it,” would presumably be very disappointed in their present-day successors! At least, I hope they would…


For the record, I am of the opinion that what consenting adults get into, sexually, is their own business, being between them, their understanding of God, and their spiritual counselor or advisor, if any.

Unless, of course, they make it my business, either by requesting my spiritual counsel – in which case I will provide it, honestly but hopefully with compassion – or by throwing it in my face, and the face of society, of which I am a part, insisting that disordered passions be “affirmed” or even “celebrated.”

Then I may have no choice but to speak up.

 

Glories of the West: the art of Daniel Ridgeway Knight

A montage video of some of the beautiful paintings of American-born artist Daniel Ridgeway Knight. From the original post:

Paintings by American artist Daniel Ridgway Knight ( born in Chambersburg, Pennsylvania , 1839 – died in Paris,1924)

Knight was a pupil at the École des Beaux-Arts, Paris, under Gleyre, and later worked in the private studio of Meissonier. After 1872 he lived in France, having a house and studio at Poissy on the Seine.

He painted peasant women out of doors with great popular success. He earned his first major distinction in France at the Paris Salon in 1882 with his large oil on canvas Un Deuil. He would go on to be awarded the silver medal and Cross of the Legion of Honor, Exposition Universelle, Paris, 1889, was made a Knight of the Royal Order of St. Michael of Bavaria, Munich, 1893, and received the gold medal of honor from the Pennsylvania Academy of the Fine Arts, Philadelphia, 1893.