Glories of the West: Gene Kelly – Roller Skates

Holy smokes! I had not seen this one. A stellar performance! I can barely stay upright on roller skates, much less tap-dance in them. A tap dancer extraordinaire. One of the true greats!

I also like how nice everyone looks: my parents’ generation: people dressed better just to step out the door (and sometimes even at home) than a lot of folks do to go to church, nowadays. If they even go, that is…

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Why the lunatic fringe wants to ban Zulu | Daily Mail Online

 

There are, in the annals of cinema, few scenes more likely to have men of a certain age sobbing into their handkerchiefs than that wonderful moment in Zulu featuring Stanley Baker

… what will be left of Western culture? For if Zulu isn’t safe, if Laura Ingalls Wilder is not safe, if even the slightest hint of political incorrectness is enough to disqualify you, then nothing and nobody is safe.

Source: DOMINIC SANDBROOK: Why the lunatic fringe wants to ban Zulu | Daily Mail Online

“Even today, 54 years after its release, Zulu has lost none of its power. It is a film about men under fire, of course. But it is also a film about heroism, fear and sacrifice.

“Set during the Zulu War of 1879, it is a patriotic film, but not a jingoistic one. When the Zulus sing one last song to honour the courage of the British defenders, or when Lt Chard gazes wearily over the piles of African dead, there is rarely a dry eye in the house.

“But some people see things differently…”

Yes. This:

“I am not alone, I know, in feeling nothing but contempt for the disingenuousness, mean-spiritedness, sanctimony and intolerance of these people. I’m not alone, either, in feeling utterly infuriated by the cowardice of the authorities, who are incapable of realising that appeasement only encourages them to find a fresh target.

“What I find really depressing, though, is that this is becoming such a familiar story. The activists make a fuss. The rest of us scoff, sigh or shrug them off as maniacs.

“But the authorities, terrified of being branded racist, give ground. And so, almost without anybody noticing, we take one more step towards a culture defined by the suffocating narrow-mindedness of the lunatic fringe…

“Where will it end? Well, it will never end. And because these censors have no sense of humility, they cannot conceive that people in the future will doubtless find us guilty of prejudices invisible to us today.

“By then, though, what will be left of Western culture? For if Zulu isn’t safe, if Laura Ingalls Wilder is not safe, if even the slightest hint of political incorrectness is enough to disqualify you, then nothing and nobody is safe.

“The truth is that these people are the enemies, not just of tradition or even of tolerance, but of the imagination itself.

“They talk endlessly about celebrating difference. But what they want to do is to suppress difference, control the imagination and rewrite history. And that, of course, is why they must be fought.”

Or as C.S. Lewis so aptly put it, “Of all tyrannies, a tyranny sincerely exercised for the good of its victims may be the most oppressive. It would be better to live under robber barons than under omnipotent moral busybodies.”

Of course, today the “omnipotent moral busybodies” care nothing for the good of their victims; they are motivated largely by hatred, thinly veiled behind a veneer of put-on offense and pseudo-compassion. They are “omnipotent” only to the extent that they are not opposed. And they are “moral” not at all.

 


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